Mor Lam and Monks

Mor lam, is a northeastern Thai tradition that is slowly dying due to the influence of pop music. It would be wonderful if a new generation of Isaan youngsters with talent could add new energy to this lyrical art.

An unforgetable talent that had helped keep this artform current was Pumpuang Duangjan, R.I.P. While there are current artists like Jintara Poonlarp, Siriporn Ampaipong, and even a Dutch singer Christy Gibson, these studio-produced mor lam pales in comparison to the excitement and appreciation of a spontaneous talent shown in the live sparing of a mor lam contest or performance among the Isaan people.

I was fortunate enough to witness one such performance at a young age.  Maybe multimillion Thai pop music studio businessmen can be tipped to fund these contests in the Isaan country side, in the way that Nelson Mandela did for South African rugby, as shown in the movie, Invictus, not only to promote the goodwill of Luk Tung, a local musical genre not imported from abroad, but to give a sense of pride in cultural identity of the young, as well as to discover new natural talent.

I had always thought that this musical form is in some ways similar to modern rap, only much more traditional. It challenges its performers to dig up the best use of language and rythm on the spot. The best perform from a memory or repertoire of word play, rythm, rhyme and metaphors. It's what I would call a neobaroque form of entertainment because the musical accompaniment is simple and repetitive yet intuitive and spontaneous. It's a whole performance that engages and pulls in its viewers or in this case audience and listeners.



So what does mor lam performances have to do with monks? 

I just recently read the history of Phra Ajaan Mun Bhuridatta Thera (1870-1949), the most venerable founder of Thailand's famous forest monk tradition. Here's what http://www.accesstoinsight.org/ says,

The unusual style of Phra Ajaan Mun's sermons may be explained in part by the fact that in the days before his ordination he was skilled in a popular form of informal village entertainment called maw lam. Maw lam is a contest in extemporaneous rhyming, usually reproducing the war between the sexes, in which the battle of wits can become quite fierce. Much use is made of word play: riddles, puns, innuendoes, metaphors, and simple playing with the sounds of words. The sense of language that Ajaan Mun developed in maw lam he carried over into his teachings after becoming a monk. Often he would teach his students in extemporaneous puns and rhymes. This sort of word play he even applied to the Pali language, ...

The best of buddhist teachings comes from oral traditions, in the forms of rhetorics, whether in the Tibetan debating or in this case the teachings of humble monks of Isaan origins, that towers above the more conventional Thervada style of Thailand's center. The language of mor lam and the language of forest monk tradition is Lao, which is (central Thais would probably love to deny) the true origin of the Thai language. Acharn Mun and other forest tradition monks had so internalized the teaching of the Buddha, which they had learnt in Pali, but it was practice and practice (of meditation) that allowed them to master the knowledge and thereby able to transmit in simple yet enlightening forms (in Lao) to their students and the common people. 

An interesting note to leave, pondering on oral tradition, links to languages, and preservations of cultures.

Acharn Mun passed away in 1940 at Wat Pa Suthawat, Sakon Nakhon. A small museum was built in his honor where there is an exhibit of his personal belongings and a brief account of his life.

Wax image of Pra Acharn Mun Bhuridatto, 

at Wat Pa Suthawat, Sakon Nakhon

Thai ceramics: an ancient, yet living tradition

Living under the shadow of a greater neighbor such as China has its disadvantages as recounted in my previous post relating the Haw Wars.  It also has many advantages. One boon was the boosting of a prosperous international trade in ceramics in the 13-14th century Sukhothai.

King Mengrai of Chiang Mai, King Ramkamhaeng of Sukhothai, and the Kingdom of Lopburi all sent several diplomatic missions to Chinese courts. Some Chinese potters were probably brought back to Thailand during 13th century as a result of these friendly and profitable visits.  Later around late 14th century, the ban on exports of early Ming Dynasty most likely encouraged frustrated Chinese potters to relocate to several pottery cities around Southeast Asia.

The famous Sangkhalok ceramics of Si Satchanalai flowered around the 14th century. These beautiful green glazed celandon and fish painted stoneware ruled the seas for some 300 years before blue and white porcelain from China took over international Eastern maritime markets. Recent discoveries of numerous shipwrecks, such as the Turiang shipwreck discovered by Sten Sjostrand in the South China Sea, have provided more detailed information about Sukhothai ceramic production than historical records could have provided.

Hundreds of ancient kilns have also been archeologically excavated in several locations all over Thailand.  Most of them were centered around Si Satchanalai, Sukhothai, Suphanburi, and Tak. The Chao Praya  River system obviously had been a key artery of distribution.  Eventually it seemed that the deterioration of river access to Si Satchanalai could have been a major cause for the decline of ceramic trade from Si Satchanalai and subsequent geopolitics shifted the center of power from Sukhothai to Ayudhya, where other products of trade gradually gained more importance over ceramics.

Southeast Asia has an old tradition of pottery that dates back even before the times of Sukhothai.  There were ancient Mon, Kmer, and Vietnamese 8-11th century traditions.  Pots have been excavated from burials dating 6,00BC to 4,000BC. Buried red earthenware were so abundant in Ban Chiang that thousands of years later, a teenager kicks up its shards leading to the discovery of an extensive Bronze Age pottery production.  

Looking around present day common life in Thailand, you'll find evidence abound that such pottery traditions continue to be an important element of Thai culture. From fine high cultured, five-coloured  Benjarong porcelain and imitations of antiqued ceramics sold to tourists and collectors, to commercial modern dining wares for exports and day to day items of household use such as, Ratchaburi dragon water jars, ubiquitous red-tiled roofs and sculptured terra cotta motifs in temples.  

For those who have such as a pottery craze as I do, a tour of just pottery sites in Thailand alone can easily fill up any touring plans.  A day trip out of Bangkok to Ratchaburi is as good a place to start as a river trip down the Chao Praya river to Ko Kret.

There are 42 factories of dragon jar makers in Ratchaburi, all of them descended from early 20th century Chinese pot makers who were brought in to make to pots during the World War when imports of these important jars were not allowed.  You can find a description of how these dragon jars are made in this page of Sea East Asia Pottery.

One can also visit production villages that had evolved out of old pottery communities. Dan Kwian, in Nakorn Rajasima (Korat), about  three hours out of Bangkok is a good detour on a trip to the Pimai Kmer style archeological site.

If you plan a trip up North towards Chiang Mai, drop by to support the Muang Kung Pottery Village.

However, if you have to save your plans of travel for sometime in the future, don't despair. You can just visit online this exquisitely produced Shaw collection website, where you will be able find descriptions of dated ceramic traditions, as well as rare pictures of ancient kilns that dot the geography of Thailand.  You can use the map provided to mark out places you must try to visit when you eventually make it to Thailand.

Admiring the variety and genius of ceramic traditions around the world, old and new, never fails to touch me with the ebb and flow, the persistence of humanity's creative spirit to shape, out of so humble a material such as earth, to produce such venerable objects as these enduring pots and jars... that, even after several hundreds of years buried under sea salt... can still shine their lustrous beauty.

Don't miss checking out the extensively, resourceful Maritime Asia website for detailed information about Sukhothai and Si Satchanalai pottery.

The Haw Wars, 1865-1890 (สงครามปราบฮ่อ)

Around the time that Louis Napoleon Bonaparte's regime was ending in France, the Taiping rebellion having failed in China, King Mongkut (Rama IV)had just gained an acceptance for Siam as a rightful nation in world diplomacy. Between the years 1865 and 1890, the Thai Kingdom's northern parts which was then bordering with the French protectorate Tonkin, were being raided by Chinese rebels that had fled southwards after their defeat in Nanking and other rebellions.

Rama IV

Armed, organized and trained but outlawed warriors banded together under different leaderships who distinguished their different groups by using colored flags. There were red, black, yellow and stripped groups of flagged bandits roaming the country side. The Black Flag group, led by Lui Yongfu was the most legitimate of the colored flags and fought for both the Viet and Chinese rulers against the French.

The Yellow Flags, led by Huang Chongying, were modeled after, but rivalled the Black Flags, failed to gain legitimacy and were pursued by both Qing and Vietanamese armies, as well as their original contenders, the Black Flags.  They were broken and on the run, raiding, looting, and harassing defenseless towns.

Many of those rebels roaming the countryside in the South of China towards the ending of the 19th century were Muslim Chinese, known as Hui in China and Panthay to the Burmese, while in Siam and Laos they were known as Haw.  

By 1872, bandit groups had drifted across the frontier of Laos and were occupying a large part of Laos which was then a tributary state of Thailand. In 1873, the Red Flags sacked Dien Bien Phu (a place where, at that time, French opium dens were making fortunes), and the Stripped Flags gained control of the Plain of Jars and the area of the Phuan (Xieng Khouang).

Several unsuccessful attempts to subdue the rebels were pressed upon by Viet, Laos and Thai kings.  A prince of Phuan was killed in one attempt and a Thai Praya was shot at in another. Each time that the Siamese army retreated, the rebels came back to raid towns. The rebels had equipped themselves with modern repeating rifles and Birminghan-manufactured ammunition and were skilled in guerilla warfare.

The Thai army was mostly made up of untrained men recruited from the North and Northeastern farmlands.  The commanders sent by King Chulalongkorn were unfamiliar with the terrain and logistics.  In one campaign, supplies were lost to the rebels, in another campaign an outpost was lost because its captain fell ill with malaria.  The Thai army's offensive to subdue the Haw bandits took so many years because it was also difficult to fight during rainy seasons.  Without success in one year, the army would have to regroup again the next year to push for another offensive.

In the end, the Thai army was supplied and trained with foreign weapons to match the fighting power of the Haw rebels. A British surveyor, James McCarthy, under hire by the Thai king to map Thai terrain during that period, was an observer of the Haw Wars.  He had noted that on one occasion some of those weapons carried by Thai recruits weren't even loaded!

A successful strategy was finally planned and the Thai army moved in a more coordinated offense, and managed to squeeze the perimeters of the bandits into a smaller territory. After some key towns the Yellow Flags had taken were freed, the Haw bandits were pushed out of the Northeastern borders of Siam and Laos back into China. 

The observation of this particular historical moment is very interesting for me personally due to an unquenchable curiosity to know more about a hometown and family that I hadn't grown up with.  In answer to my constant pestering questions about the past,  my Mom once recounted to me that the Promasakha Na Sakon Nakhon family was related to ours, the Singhakul family (a story that I will tell later in another blogpost).

Sakon Nakhon is a province in the Northeast of Thailand, about two hours from the Mekhong River border with Laos.  When I unearthed, in the scantily recorded history of this town, an interesting record of how the name Promasakha Na Sakon Nakhon was given to a highly esteemed governor of the Muang, relating his role for recruiting and leading people in support of the offensive against the Haw bandits, the Haw Wars became for me an important reference point to find out more about events that had shaped the times of my mother's grandparents.

Since I am now able to use the internet to access sources in English and increasingly more in Thai, I am seeing a clearer picture of how a sleepy town on the edge of empires is, in fact, not as insignificant as one had perceived. Several connections to many other important world events could be drawn from this single event.

The little details recounted by McCarthy of repeating rifles and Birmingham manufactured ammunition opened my eyes to how British imperial ambitions, whether intentional or not, were entwined in that moment.  The name "Haw", before just a name of an ethnic group, led me to discover that they were the same as Hui, Muslim Chinese who were, at that moment in history, leading a serious rebellion against the Qing dynasty.  Those rebels weren't just mindless raiders, they were pretty likely sent to that specific area. Whether as part of mercenaries simply following a campaign to harass French powers in the area, or as part of the Panthay Rebellion's leader's plan to occupy as much area as possible in readiness for his planned move into Burma, I will have to investigate further.

The lengthy campaign against the Haw also revealed in finer details the growing pains and mistakes of then a still evolving administration of the fourth, fifth, and sixth reign of the Chakri dynasty, learning, modernizing bit by bit, on the ground, less than 150 years ago.

The picture of elephants standing in formation with the Thai army above recalled to mind a funny anecdote of how King Rama V had once offered to send elephants to aid the US during its Civil War.

A revelation more relevant to the present, was the idea invoked of how, in actuality, not so far away China is, from the frontiers of Thailand. Our modern maps show that the space between the center of Thailand and the heart of China is quite immense, but if in the 19th century, all that space was takable by rebels, refugees moving over land, in a matter of months, fighting prolonged for decades, the illusion of that safe distance seems rather foolish indeed.  If anything such as a serious political unrest were to happen in that great land up North, Thailand would be receiving the brunt of an unimaginable deluge of refugees. We've never really overcome problems generated by refugee situations of the Vietnam wars, and even now, we are having increasing difficulties managing illegal immigrants in a million or two, escaping the oppression of the Burmese Junta. 

The different colored flags was also an odd reflection on the yellow and red colored political polarization happening currently in Thailand.

Recommended further reading:

Islam and Commerce in Old Yunnan

http://en.wikipedia.org/wiki/Haw_wars

สงครามปราบฮ่อ

Surveying and exploring in Siam, by James McCarthy

Naga Fireballs

This festival celebrates one of Thailand’s most curious natural phenomena – the Naga Fireballs of Nong Khai. Taking place during the full moon of the final day of Buddhist Lent, small balls of fire rise from the Mekong River and plunge upwards of 300 metres into the night sky. The fireballs appear as eerie blobs of red, blue, pink or green light that hang in the air for around 10 seconds.

An interesting cultural event, the natural wonder of Bang Fai Phaya Nak, “Naga Fireballs,” is held in Phon Phisai district of the northeastern province of Nong Khai along the Mekong River, at the end of the three-month Buddhist Lent, or Ok Phansa, in October around 10-16.

Local residents seem to believe that the fireballs belong to the Naga, the king of serpents. This natural wonder is linked to a legend dating back to the Buddha’s times. It is said that the Buddha went to heaven to instruct his mother in his teachings. He spent three months there until his mother attained enlightenment. On the full-moon day of the eleventh lunar month, the Buddha returned to earth and celestial beings built a golden and silver staircase for him to come down. With his loving kindness, the Buddha created a miracle by opening a view of the three worlds, namely heaven, the earth, and the underworld. All nagas living in the underworld admired the Buddha for the gratitude he showed towards his mother, so they blew out flames from the bottom of the river to celebrate.

The origin of the fireballs has been much debated. One scientific study shows that the fireballs are caused by the sun warming organic matter on the riverbed, causing it to decompose into flammable phosphine and methane gas and combust in the presence of ionised oxygen. This explains why the fireballs are of uniform color, do not emit flares, smoke, or sound, and eventually dissipate without a trace. Tracking studies have indicated that the phenomenon occurs from March to May, and September and October, when the earth is closest to the sun. Naturally, the findings have been disputed by Nong Khai residents, who see their time-honored beliefs challenged by what they view as attempts to portray them as superstitious country bumpkins.

The Naga Fireball Festival also features a bazaar, a food fair, a contest of floating and illuminated boats in worship of the Naga, long-boat races, and a light and sound show. Although there are several viewpoints for watching the natural wonder of the Naga fireballs, a great number of fireballs are usually seen in Phon Phisai district.

About 600 kilometers from Bangkok, Nong Khai is situated on the bank of the Mekong River, which stretches 4,200 kilometers through six countries, namely Cambodia, China, Laos, Myanmar, Thailand, and Vietnam. As it is not far from Vientiane, the capital of the Lao People’s Democratic Republic, Nong Khai is regarded as a gateway to Vientiane. From the province, people can cross the Mekong River to Laos over the Thai-Lao Friendship Bridge. The phenomenon of Naga fireballs can be seen from both the Thai and Lao sides.

The following video from Youtube was recorded on October 14, 2008.

Yi Peng Lantern Festival, Chiang Mai

Yee Peng Lanna festival or Loy Kratong festival is an ancient and traditional festival which has been continued since the past.  It is usually celebrated on the first full moon of November.

In a past, according to sermons story told by abbots, of the last earthly existence of the Lord Buddha. The Lanna people celebrate this holy day by decorating temples or Viharns with banana tree and sugar cane.  The main entrance of the Temple is also decorated with candle, moonshines. The people launch fire-kites, fire crackers and float offerings along the canals or rivers.

Yi Peng Lanna festival is also a kind of a Buddhist ceremony and Lanna people believed that it is an opporutunity for them to make merit, listen to sermons, and to pay respect to the Buddha.